(JNS) Israel’s Foreign Ministry on Saturday decried protests at the Israeli pavilion of the Venice Biennale art show, whose opening last week caused the jury to resign.

The protests weren’t activism but “intimidation,” the ministry said on X, adding: “Attempts to silence, isolate or harass Israeli artists and cultural representatives have no place in a democratic society or in the world of art. Culture should build bridges, not fuel hatred and exclusion.”

Hundreds of people were seen protesting outside the Israeli pavilion, which the event’s managers had tried to ban along with Russia’s, but which opened to the public after Italy’s culture minister expressed opposition to the boycott.

The targeting of the Israeli pavilion at the Venice Biennale is not “activism” – it is intimidation.

Attempts to silence, isolate or harass Israeli artists and cultural representatives have no place in a democratic society or in the world of art.

Culture should build bridges,…

— Israel Foreign Ministry (@IsraelMFA) May 9, 2026

The five-member jury quit last week, saying only that the move was connected to the decision to ban Russia and Israel. Before it was reversed, the ban announced by management said that countries whose leaders are under investigation at the International Criminal Court. Currently, Israeli Prime Minister Benjamin Netanyahu and Russian President Vladimir Putin are the only world leaders under investigation at the ICC.

The pavilion of Russia, which is the subject of EU sanctions, remains closed to the public and was open only during the press preview stage of the event, which opened last week, and where the artworks will remain on display until November.

Italian Culture Minister Alessandri Giuli on April 29 had a phone call with the Israeli pavilion’s artist, Belu-Simion Fainaru, to express solidarity in the face of “recent attacks.” Giuli also “confirmed the Italian government’s commitment against every form of discrimination and antisemitism in Italian cultural institutions,” his office said in a statement.

The contrast between the attitude of the Italian government, which funds the Venice Biennale, and the event’s managers has led to speculation that Giuli’s office intervened to reverse the boycott.

The government’s attitude was key to the boycott’s reversal, according to Ari Ingel, the executive director of Creative Community for Peace (CCFP), a network of cultural leaders committed to artistic freedom and coexistence.

“Once the Italian government stepped in, the jury’s campaign to boycott Israel collapsed,” Ingel told JNS. ”I think everybody understands that the criteria put forward were an attempt to boycott Israel and boycotting arts and letting arts become politicized at one of the great events of the year,” said Ingel.

CCFP, which was founded in 2012, has attempted to counter campaigns to boycott Israel in the music and movie industries and in popular culture. The attempt to bar Israel from the Biennale was a “test case” for boycotts in the fine arts scene, Ingel added.

Had it succeeded, “then the next thing you know, there’d be a boycott at the Venice Film Festival, that would be the next step, where no Israeli films would be able to get awards,” said Ingel. “So this was something that we needed to make sure we stepped in and made our voices heard to make sure that this was unacceptable. And thankfully, the Italian government agreed,” he added.

Boycott attempts have much higher chances of succeeding in countries with governments that are more hostile to Israel, according to Ingel. “Unfortunately, in Spain or Ireland you very well could see Israel being excluded from the event,” he told JNS.

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